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<mso:SPSDescription msdt:dt=3D"string">This E-Zine uses recent public deba=
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<mso:PersonalAuthor msdt:dt=3D"string">Bales, Susan</mso:PersonalAuthor>
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    <TD vAlign=3Dtop><!-- Page Content Begins Here --><B>Issue No.=20
      15</B><BR><B>Topic: A Framer Reads the News</B><BR><I>Susan Bales</I=
> for=20
      the FrameWorks Institute<BR>September 2002=20
      <P><BR>Sometimes you just have to take your framing lessons where th=
ey=20
      happen. These days, since most of the news is about war and foreign=
=20
      policy, framers can learn a lot by analyzing the public debate and t=
he=20
      frame elements that inform it. Below we follow three important frami=
ng=20
      strategies now happening in the news: (1) level one priming, (1) the=
=20
      =93what=92s this about=94 rhetorical strategy, and (3) political car=
toons and=20
      storytelling.=20
      <P>As always, partisan examples are used solely to call attention to=
 the=20
      ways that political actors routinely attempt to control the frames o=
f=20
      public discourse, and not to suggest any support for a particular pa=
rty or=20
      position=20
      <H4>LEVEL ONE PRIMING</H4>
      <P>We=92re seeing a lot of this these days, but the Administration=
=92s attempt=20
      to provide a conceptual framework for a war against Iraq offers stun=
ning=20
      examples of reframing using values primes. We=92ve seen a sea-change=
 in the=20
      way the war has been framed of late. The first phase of messaging fr=
amed=20
      the war as necessary to American self-interest, or keeping ourselves=
 safe=20
      from terrorists. You=92ll note that this did little to engage the pu=
blic=20
      which, much public opinion suggests, is reticent to tell other count=
ries=20
      what to do, is strongly in favor of pursuing foreign policies in=20
      collaboration with our allies, and does not wish to see the United S=
tates=20
      as either a bully or a policeman in the world community (for more on=
 how=20
      Americans view foreign policy issues, see the FrameWorks website on=
=20
      international interdependence).=20
      <P>The second phase of messaging, then, turned to pre-emption, a cla=
ssic=20
      prevention frame that Kids Counters know all too well. Prevention is=
 a=20
      hard card to play. The problem with this framing is that it focuses=
=20
      attention on how real is the threat. That=92s precisely what comes t=
o light=20
      in Senator Zell Miller=92s highly entertaining recounting of the que=
stions=20
      his constituents at Mary Ann=92s restaurant had about the war (=93Qu=
estions=20
      for the Commander in Chief,=94 Zell Miller,<I> Washington Post</I>, =
Sunday,=20
      September 8, 2002, Page B07). Note how the prevention frame drives p=
eople=20
      toward a =93them vs. us=94 worldview, which does not further the=20
      Administration=92s goals. It also leads people to question whether w=
e=92re=20
      preventing the right threat, and why we haven=92t been doing it all =
along =97=20
      questions which erode the efficacy and credibility of the prevention=
=20
      frame. Constituents asked:=20
      <UL>
        <P>
        <LI>=93Even if Hussein has nukes, does he have the capability to r=
each New=20
        York or Los Angeles or Atlanta?=94=20
        <LI>=93The old Soviet Union had thousands of nuclear missiles for =
decades,=20
        many of them capable of reaching our major cities, and yet we didn=
=92t get=20
        into a war with the Soviets. The president needs to explain why Ir=
aq is=20
        different.=94=20
        <LI>=93They also want to hear an explanation of why we didn=92t ta=
ke care of=20
        this in the Persian Gulf, and why it is on our doorstep again so s=
oon.=94=20
        </LI></UL>
      <P>So, if self-interest and prevention don=92t work, where do you pl=
ace the=20
      level one value for the war in Iraq? Freedom and leadership are the =
frames=20
      of the day. The war is suddenly =93about=94 the liberation of Iraq f=
rom the=20
      tyranny of Hussein, preserving the integrity of the United Nations, =
and=20
      taking on the tough mantle of responsibility to make the world =93no=
t just=20
      safer but better.=94 These frames, unlike the earlier ones, are more=
=20
      altruistic and less about =93what=92s in it for us.=94 The result? D=
ramatic=20
      swings in public opinion. And an uphill battle for those who would t=
ry to=20
      win back the moral high ground.=20
      <P>=93The National Security Strategy of the United States of America=
,=94=20
      released last Friday, should be required reading for any student of=
=20
      framing. But here=92s the Cliff=92s Notes version from the <I>Washin=
gton=20
      Post</I> coverage:=20
      <BLOCKQUOTE>
        <P><I>Possessing =93unprecedented =97 and unequaled =97 strength a=
nd influence=20
        in the world,=94 it begins, and =93sustained by faith in the princ=
iples of=20
        liberty and the value of a free society,=94 the United States also=
 has=20
        =93unparalleled responsibilities, obligations and opportunities. T=
he great=20
        strength of this nation must be used to promote a balance of power=
 that=20
        favors freedom.=94 </I>
        <P><I>The =93three strategic principles=94=85were to =93lead the w=
orld=94 against=20
        terrorists and =93aggressive regimes seeking weapons of mass destr=
uction,=94=20
        to preserve the peace by =93fostering good relations among the wor=
ld=92s=20
        great powers.=94 And to extend the benefits of liberty and prosper=
ity=20
        through the spread of American values and tangible rewards for goo=
d=20
        governance.</I>=20
        <P><I>Bush Shifts Strategy from Deterrence to Dominance</I>, Karen=
 De=20
        Young and Mike Allen, <I>Washington Post</I>, Saturday, September =
21,=20
        2002, A1 </P></BLOCKQUOTE>
      <P>We can better appreciate the change in strategy if we harken back=
 to=20
      the second Presidential debate in which candidate Bush explained his=
 view=20
      of foreign policy; here are some salient excerpts:=20
      <BLOCKQUOTE>
        <P><I>=93The first question is what's in the best interests of the=
 United=20
        States? What's in the best interests of our people?=85If I think i=
t's in=20
        our nation's strategic interests, I'll commit troops.</I>=20
        <P><I>=93Somalia. Started off as a humanitarian mission then chang=
ed into=20
        a nation-building mission, and that's where the mission went wrong=
=85And=20
        so I don't think our troops ought to be used for what's called=20
        nation-building. I think our troops ought to be used to fight and =
win=20
        war. I think our troops ought to be used=85when it's in our best=20
        interests.</I>=20
        <P><I>=93I think what we need to do is convince people who live in=
 the=20
        lands they live in to build the nations. Maybe I'm missing somethi=
ng=20
        here. I mean, we're going to have kind of a nation-building corps =
from=20
        America? Absolutely not. Our military's meant to fight and win war=
.=20
        =93</I>=20
        <P><I>Governor George W. Bush</I> </P></BLOCKQUOTE>
      <P>The much-heralded level one frame of self-interest, having proven=
 not=20
      so helpful in rallying the American people around the idea of war, i=
s=20
      abandoned for level one values of freedom, democracy, leadership, an=
d=20
      defending the integrity of our allied institutions. And, when these =
values=20
      are used to prime the discussion of what is the right thing for Amer=
ica to=20
      do, it sets up the noble cause frame that Americans are far more lik=
ely to=20
      endorse than the paltry prevention and pocketbook values.=20
      <P>So what=92s happening on the other side of this debate? Is there =
anything=20
      framers can learn from the way that critics of the Administration ar=
e=20
      positioning their issues?=20
      <P>In a Brookings Institution working paper, scholars Ivo H. Daalder=
,=20
      James M. Lindsay and James B. Steinberg characterize two opposing=20
      ideologies:=20
      <BLOCKQUOTE>
        <P><I>=93Americanists emphasize American primacy. They see a world=
 in=20
        which the United States can use its predominant power to get its w=
ay,=20
        regardless of what others want. They believe the United States mus=
t=20
        summon the will to go it alone if necessary.</I>=20
        <P><I>=93Globalists, on the other hand, emphasize globalization. T=
hey see=20
        a world that defies unilateral U.S. solutions and instead requires=
=20
        international cooperation. They warn against the temptation of thi=
nking=20
        that Americans can go it alone.</I>=20
        <P><I>=93While Americanists focus on how American primacy frees th=
e United=20
        States to pursue its interests as it sees fit, Globalists stress h=
ow=20
        globalization both limits and transforms America=92s capacity to u=
se its=20
        power to influence events overseas.=94</I>=20
        <P><I>From Geopolitics to Global Politics: The Challenge for Ameri=
can=20
        Foreign Policy, unpublished manuscript, Brookings Institution</I>=
=20
      </P></BLOCKQUOTE>
      <P>So let=92s analyze the level one strategies inherent in these two=
 camps.=20
      When Americanists tell us how American primacy frees the United Stat=
es to=20
      pursue its own interests as it sees fit, and Globalists rejoinder th=
at=20
      globalization should both limit and constrain America=92s power over=
seas,=20
      who do you think wins the values battle? On the one hand, we have fr=
eedom=20
      and choice, and on the other hand we have limitation and constraint.=
 Who=20
      do you think has the more resonant frame? What values are Globalists=
 for?=20
      Constraint in service to what larger vision?=20
      <P>The Democrats=92 strategy, as articulated in the papers we read, =
appears=20
      to be to try to shift the debate back to the comfortable arena of do=
mestic=20
      issues where they believe they can win ground. What=92s wrong with t=
hat=20
      strategy, fellow framers? Are we learning anything from the oppositi=
on?=20
      What level one value informs this strategy? You got it =97 self(ish)=
=20
      interest =97 the same frame that didn=92t work for the Bush Administ=
ration and=20
      which they abandoned. Or, even more powerful, =93politics as usual.=
=94 And=20
      that=92s what David Broder finds as he talks to concerned citizens i=
n the=20
      washingtonpost.com chats. =93Politics over Principle,=94 declares hi=
s column=20
      (David S. Broder, <I>Washington Post</I>, Sunday, September 22, 2002=
, B7).=20
      Here we hear Democrats explain their exasperation with a party that =
thinks=20
      it can distract people into talking about things that hit home, e.g.=
=20
      prescription drugs and tax cuts, without taking on the issue of what=
=20
      should be our role in the world. And, each time they do this, Broder=
=20
      asserts, Americans become more and more uncomfortable with a kind of=
=20
      politics that they describe as having =93abandoned principle and lon=
g-term=20
      strategy for the short-term tactics they think will help them in thi=
s=20
      November=92s election.=94 Sounds a little bit like =93don=92t think =
about=20
      elephants,=94 don=92t you think?=20
      <P>
      <H4>WHAT=92S THIS ABOUT?</H4>
      <P>
      <BLOCKQUOTE>
        <P><I>=93If this election becomes about our candidate and not Gray=
 Davis,=20
        we lose the election.=94</I>=20
        <P>California Secretary of State Bill Jones ( R ), discussing=20
        controversy over nomination of Richard Riordan as Republican candi=
date=20
        for governor (<I>Washington Post</I>, A19, =93Riordan Clarifies Ab=
ortion=20
        Position in Calif. Debate,=94 Sunday, Feb. 10, 2002 </P></BLOCKQUO=
TE>
      <P>The Riordan forces were right to worry, as history has proven. On=
e of=20
      the cleverest and simplest ways to frame and reframe is to state=20
      explicitly what your issue is =93about.=94=20
      <P>The September 21st <I>Washington Post </I>offered two classic exa=
mples=20
      of how this device plays out in the struggle to define the terms of =
the=20
      debate. In an article on Rhode Island=92s lead paint suit, we see th=
e two=20
      sides attempt this framing strategy, in which the doctrine of =93pub=
lic=20
      nuisance=94 is being used to sue eight paint manufacturers for malfe=
asance:=20
      <BLOCKQUOTE>
        <P><I>=93This case is about the right of the public to be free of =
harm,=94=20
        attorney Leonard Decof said on the state=92s behalf at the opening=
 of the=20
        trail earlier this month. =93The lead paint in houses represents a=
 ticking=20
        time bomb.=94</I>=20
        <P><I>=93Most people who live in Rhode Island in houses with lead =
paint=20
        live safely and maintain their houses. It=92s not a hazard; it=92s=
 not a=20
        nuisance,=94 (Defense Attorney Timothy) Hardy said. =93If you allo=
w=20
        electrical wires in your house to fray, you don=92t sue General=20
        Electric.=94</I>=20
        <P>=93R.I.=92s Novel Suit Targets Makers of Lead Paint,=94 Pamela =
Ferdinand,=20
        <I>Washington Post</I>, Saturday, September 21, 2002, A2</I>=20
      </P></BLOCKQUOTE>
      <P>The first quote uses the power of the =93it=92s about=94 construc=
t to set up=20
      a frame of rights and irresponsibility (in ignoring danger). The sec=
ond=20
      quote attempts to stand the rights and responsibilities frame on its=
 head=20
      by evoking the always powerful American frame of personal responsibi=
lity.=20
      And it does so by trying to make this =93about=94 THOSE PEOPLE who d=
on=92t=20
      maintain their property. The framing strategy here ends with metapho=
rical=20
      reasoning designed to drive home the irresponsibility of those who l=
et=20
      their lead paint chip, causing themselves harm.=20
      <P>Both are strong statements, but we think the =93it=92s about=94 c=
onstruct=20
      adds extra power to the litigants. When you define the problem, you =
force=20
      your opponent into negating it - just as this did - and then they ha=
ve an=20
      elephants problem: restating your position in order to rebut it.=20
      <P>Our second =93it=92s about=94 example is a little juicier. This e=
xample comes=20
      from Ellen Goodman=92s column =93Downsizing Jack Welsh=94 (<I>Washin=
gton=20
      Post</I>, Saturday, September 21, 2002, A21) and deals with the Wels=
h=20
      divorce and those of other famous executives. Goodman makes the case=
 that,=20
      in the old days, these divorces were =93about=94 the wives, who were=
 portrayed=20
      as greedy. Now, Goodman asserts, =93the attention wasn=92t on her gr=
eed but on=20
      his. For once it wasn=92t the soon-to-be-ex-wife of a gazillionaire =
looking=20
      for big bucks from her husband who was run through the media mill. I=
t was=20
      the corporate gazillionnaire himself.=94 And it wasn=92t about =93ne=
ed=94 or=20
      =93entitlement,=94 as past suits had been, but about =93partnership.=
=94=20
      <P>The lesson here is to be very clear about what it=92s about, stat=
e it=20
      explicitly, and force your framing opponents to run on your frame. W=
hen=20
      you need to bridge away from a bad question, try opening with, =93wh=
at this=20
      is really about is=85.=94=20
      <P>
      <H4>POLITICAL CARTOONS AND STORYTELLING</H4>
      <P>If you have any remaining doubts about the way we constantly tell=
 and=20
      retell the stories we already know in order to make sense of the new=
s, try=20
      being attentive to political cartoons. Precisely because they have t=
o boil=20
      down complex events and situations into pictographs, political carto=
onists=20
      are masterful at detecting the story behind the story.=20
      <P>In the Sunday, September 22nd edition of the <I>Washington Post</=
I>,=20
      Tom Toles gives us a splendid example of this thought process. In ef=
fect,=20
      his cartoon is about trying to discern what fairy tale to use in ord=
er to=20
      make sense of George Bush. It=92s called =93W and the Beanstalk.=94 =
In the first=20
      frame, Mother US questions W who admits he traded the surplus for a=
=20
      handful of beans. When they don=92t grow =93magically,=94 as he expe=
cts, he=20
      moves to explaining that =93the Mother Goose that lays the golden eg=
gs=20
      explained it to me. Everything a tax cut touches turns to gold!=94 I=
n the=20
      next frame, W is portrayed as =93The Emperor=92s New Clothes,=94 pro=
claiming his=20
      new solid gold clothes that only the worthy can see. And in the fina=
l=20
      frame, he is Pinocchio, with a long nose from his lying. The postscr=
ipt=20
      returns to the original fable, as W says he has to =93get back to ki=
lling=20
      giants now.=94 This lively cartoon demonstrates the cognitive proces=
s of=20
      trying to find a familiar story to make sense out of complex situati=
ons.=20
      The cartoonist =93tries on=94 these different fables and then maps t=
hem onto=20
      the President=92s behavior and policies to see if they serve to expl=
ain=20
      them.=20
      <P>We strongly advise framers to attend to political cartoonists. In=
=20
      capturing these simple stories, they help distill the frames in play=
 and=20
      suggest stories that advocates can use.=20
      <P>Framers must take their framing lessons from many other issues, n=
ot=20
      just the landscape of children=92s issues. And sometimes it=92s easi=
er to=20
      learn off of others=92 issue terrain than your own. Don=92t forget t=
o send us=20
      examples from your home-town papers to replenish our stock of framin=
g=20
      follies, great framing strategies, and other examples of elements of=
 the=20
      frame!=20
      <P>
      <P><!-- Page Content Ends Here -->
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	FONT-WEIGHT: bold; FONT-SIZE: 14pt; COLOR: #ccbb33; FONT-FAMILY: =
Verdana, Arial, Helvetica
}
H4 {
	FONT-WEIGHT: bold; FONT-SIZE: 12pt; COLOR: #ccbb33; FONT-FAMILY: =
Verdana, Arial, Helvetica
}
H6 {
	FONT-WEIGHT: normal; FONT-SIZE: 8pt; FONT-FAMILY: Verdana, Arial, =
Helvetica
}
A:link {
	COLOR: #344316
}
A:visited {
	COLOR: #999999
}
A:active {
	COLOR: #6c7c43
}

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