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    <TD vAlign=3Dtop><!-- Page Content Begins Here --><B>Issue No. 1<BR>To=
pic:=20
      Bridging</B>
      <P>"If they can get you asking the wrong questions, they don't have =
to=20
      worry about the answers."<BR>Tom Pynchon, <I>Gravity's Rainbow</I>
      <P>This Kids Count E-Zine takes up a popular public relations techni=
que,=20
      bridging, and re-examines it in the light of what we know about fram=
ing,=20
      to create a more informed practice for use by children's advocates w=
ith=20
      media.
      <P>Bridging, or answering a question by not answering the question, =
is a=20
      way to segue from a reporter's stated question to the information an=
=20
      interviewee wishes to impart to an audience. Implied in that definit=
ion is=20
      the fact that reporters often ask questions that advocates do not=20
      necessarily wish to "honor" with an answer. The bridge is the way th=
e=20
      advocate gets from one side of an argument to another. Here is a cla=
ssic=20
      example of bridging:
      <P><I>Reporter: "Isn't it true that safety is the first thing a mom =
looks=20
      for in a daycare setting?" Spokesperson: "While safety is important,=
 it=20
      needs to be balanced with other considerations, like the quality of =
the=20
      environment and the qualifications of the staff. Let me tell you wha=
t=20
      happens in the mind of a child at the age of 3...."</I>
      <P>According to standard public relations practice, this is an effec=
tive=20
      bridge. The spokesperson took the reporter from a naive question to =
an=20
      informed response. But, drawing on what we now know about how people=
=20
      process information, this bridging technique is NOT effective.=20
      <P>The problem with bridging, as it is often practiced, is that it a=
ccepts=20
      the frame of the question - a safety frame, in this example - and of=
ten=20
      repeats it, before reframing.
      <P>What does this mean? The question itself prompts a certain idea o=
r=20
      cluster of connections in the mind of the viewer/listener. If the=20
      spokesperson repeats the frame as part of the bridging technique, we=
're 0=20
      for 2 before we've even started. If you've just told the viewer/list=
ener=20
      twice that "this is about safety," it's an uphill battle to get them=
 to=20
      realize that "it's not really about safety at all, it's about educat=
ion."=20
      Far from contradicting or dismissing the reporter's frame, we've acc=
epted=20
      it and confirmed it, adding to the audience's initial orientation to=
 the=20
      subject. An efficient thinker will simply use those cues to erect th=
e=20
      frame of interpretation that corresponds, and dismiss most of what c=
omes=20
      afterward. There are ways around this problem.
      <P>Going back to our original example of the daycare question, the=20
      enlighted bridger should have answered:
      <P><I>"There are several considerations for parents seeking early=20
      childhood education...."</I>
      <P>The answer does not repeat the negative frame, seems responsive t=
o the=20
      question, and allows the spokesperson to go where they want to go. H=
ere=20
      are some simple techniques for effective bridging.
      <P><B>RULE #1: NEVER REPEAT A NEGATIVE FRAME.</B><BR>Too often the=20
      reporter tosses you a question that repeats a stereotype, is=20
      sensationalist or uninformed. Use an innocuous phrase or throw away =
line=20
      to bridge away from the negative frame...That's a great question (pa=
use).=20
      You've hit an important point. Here's what I think about early child=
hood=20
      education...
      <P>As reporters told FrameWorks representatives, don't expect us to =
do=20
      your reframing for you. It's day care as far as we're concerned. If =
you=20
      want to call it something else, it will have to come out of the mout=
hs of=20
      advocates.
      <P>Alternatively, <U>restate the question to set up a different fram=
e</U>.=20
      The question you raise is really about how we do a better job in=20
      supporting very young children and their working parents. And the an=
swer=20
      is that we have to...
      <P>Another way to steer the interview with a bridge is to <U>dismiss=
 the=20
      old frame and immediately substantiate a new one</U>. That way you s=
ignal=20
      to the reporter that you are giving them something new, a fresh angl=
e on=20
      an old story, something that will make them look good with their edi=
tors=20
      or producers.
      <P><I>Reporter: "How many children in this state are at risk for poo=
r=20
      daycare?"</I>
      <P><I>Spokesperson: "Safety has gotten a lot of attention, but the b=
iggest=20
      threat to our children hasn't received the attention it deserves. (P=
AUSE)=20
      The big story about early childhood development is that our schools=
=20
      haven't caught up with our science. We now know that there's a lot o=
f=20
      learning going on very early in children. Not just information, but=
=20
      prosocial and antisocial behavior, interpersonal and moral developme=
nt,=20
      and a sense of responsibility for oneself and others. The early=20
      foundations for all these important aspects of child development hap=
pen=20
      earlier than we even suspected a decade ago. Most parents and policy=
makers=20
      don't yet understand that everything starts in those early years." <=
/I>
      <P><B>RULE #2: KNOW HOW YOUR INTERVIEW WILL BE USED.</B><BR>Always k=
now=20
      the rules of the game you are playing. Is this a live or taped inter=
view?=20
      Is there ample time to edit or is it scheduled for tonight's evening=
 news?=20
      If it's taped and you will be edited, you can reasonably assume that=
, if=20
      you give a great soundbite, the anchor will re-rerecord or edit arou=
nd=20
      you. So, PAUSE between your bridge and your declarative statement, s=
o they=20
      can salvage the latter without catching several syllables.
      <P>The way it happened (live):<BR><I>Reporter: "What's all the fuss =
about=20
      zero to three year old kids. You and I played with dirt and spoons, =
and we=20
      grew up OK. Isn't this just a big over-reaction by yuppie parents wh=
o are=20
      hurrying their children into overachievement?" </I>
      <P><I>Spokesperson: "It's interesting you ask that............I beli=
eve=20
      we've always needed better early childhood education. But now we nee=
d it=20
      more than ever. Our economy has changed. It absolutely requires bett=
er=20
      educated workers. And because our economy makes it harder for one pa=
rent=20
      to stay at home with a child, we need to make sure that a child's=20
      intellectual, emotional and moral learning all begin early on if we =
are to=20
      prepare them for the future."</I>
      <P>The way it was produced (canned):<BR><I>Evening News: "Sally Jane=
s, the=20
      head of Kids Count, Turtle Island, says the economy is driving paren=
ts and=20
      our society toward better day care."</I>
      <P><I>"I believe we've always needed better early childhood educatio=
n. But=20
      now we need it more than ever. Our economy has changed. It absolutel=
y=20
      requires better educated workers. And, because our economy makes it =
harder=20
      for one parent to stay at home with a child, we need to make sure th=
at a=20
      child's intellectual, emotional and moral learning all begin early o=
n if=20
      we are to prepare them for the future."</I>
      <P>Note that, had the spokesperson not rambled that last sentence ou=
t=20
      conditional clause first, s/he would likely have had the more societ=
al=20
      part of the message cut. It might have ended up: "Our economy makes =
it=20
      harder for one parent to stay at home with a child." End of quote. S=
o=20
      sometimes you don't want to pause but rather to weave a clause=20
      inextricably into your answer.
      <P>Thinking carefully about what you want to pack into your soundbit=
e is a=20
      very important bit of preparation. But whether you are talking to pr=
int or=20
      broadcast reporters, some of the rules are the same:
      <P><B>RULE #3: FRAME THE DATA, OR DON'T FIGHT NARRATIVE WITH=20
      NUMBERS.</B><BR>Too often, advocates succumb to what linguist Debora=
h=20
      Tannen calls "the argument culture" - they try to fight fire with fi=
re. So=20
      when a reporter asserts a perspective, the spokesperson resorts to=20
      "disproving" it with data. A quick rule of thumb in framing: the nar=
rative=20
      is more powerful than the numbers, the meaning more memorable than t=
he=20
      mean.
      <P>In focus groups conducted over two years on children's issues in =
which=20
      Kids Count-like data was presented to participants, we have only rar=
ely=20
      heard an issue discussed by real people with reference to the number=
s. The=20
      fact is that many Americans find it hard to digest data and interpre=
t it;=20
      mathematical literacy is a major hurdle. But, that aside, the psyche=
 is=20
      often resistant to data that erode a comfortable view of the world. =
Quite=20
      often, the numbers are reinterpreted to substantiate an entirely dif=
ferent=20
      conclusion. From the social science roots of framing research we lea=
rn=20
      this maxim: If the facts don't fit the frame, the facts get rejected=
 not=20
      the frame.
      <P>Yet, the facts are what produced the media opportunity in the fir=
st=20
      place. The release of new data is a reliable news hook. So the job o=
f the=20
      good spokesperson is to bridge from the trend to the interpretation.=
 Don't=20
      rebut, trump!
      <P>Even mathematicians recognize this. John Allen Paulos writes,=20
      "People...consider numbers as coming from a different realm than=20
      narratives and not as distillations, complements or summaries of the=
m"=20
      (<I>Once Upon A Number</I>, Basic Books, 1998). You haven't done you=
r job=20
      until you tell what the number means.=20
      <P>"The process of converting data into easily understandable inform=
ation=20
      that communicates its relevance to an issue has been termed 'social=
=20
      math'," writes the Advocacy Institute (<I>Blowing Away the Smoke: A =
Series=20
      of Advanced Media Advocacy Advisories for Tobacco Control Advocates<=
/I>,=20
      1998). In a future Kids Count E-Zine, we'll explore this issue in de=
pth.=20
      But as it relates to bridging, the trick is to have an interpretatio=
n, a=20
      "story" ready to translate the number thrown at you into a more powe=
rful=20
      meaning. This does not mean you should drop all numbers, but rather =
that=20
      you should use them sparingly and always link them to meaning.
      <P><I>Reporter: "Isn't it true that 4 out of 5 kids under the age of=
 three=20
      are cared for at home and end up doing OK in school? What's the=20
      problem?"</I>
      <P><I>Spokesperson: "Our preschoolers are watching 15 billion hours =
of=20
      television every year. Only half of infants and toddlers get read to=
. What=20
      those numbers add up to is an enormous brain drain, since what we no=
w know=20
      is that what is learned early is learned forever. If we nurture our =
kids=20
      on junk food or starve them for stories and stimulation, we aren't g=
oing=20
      to meet our economy's challenges tomorrow. Children are the future, =
and=20
      the future is being decided now in the inadequate child care centers=
 we've=20
      put in place or refused to fund."</I>
      <P><B>RULE #4: USE METAPHORS TO BRIDGE. </B><BR>As cognitive linguis=
t=20
      George Lakoff has demonstrated in his research (see <I>Moral Politic=
s</I>,=20
      University of Chicago Press, 1996), "People reason metaphorically." =
That=20
      is to say that people make connections between one set of things and=
=20
      another. They use what is familiar (my family, my neighbors) to allo=
w them=20
      to understand what is foreign or complex (my nation, other nations).=
=20
      Moreover, these metaphorical patterns are not "merely" colorful=20
      expressions; they are embedded in people's conceptual systems and th=
ey are=20
      largely uniform across a population. They comprise a shared culture.=
 And=20
      they direct action; all the parts of the metaphor come with the anal=
ogy:=20
      for example, if foreign countries are neighbors, they don't want us =
to=20
      meddle, we should only show up when they need us and then leave. The=
 good=20
      news is that we often hold several conflicting views or potential wa=
ys of=20
      seeing an issue, depending upon the prism or "frame" through which w=
e view=20
      it. So, if foreign countries are partners in a world community, then=
 we=20
      have common interests and need to collaborate regularly. The challen=
ge for=20
      the spokesperson is to bridge from a negative frame to one that sets=
 up=20
      the kind of reasoning that favors positive social policies.
      <P>As George Lakoff and Joseph Grady have demonstrated, "If children=
 are=20
      viewed as precious objects of a fixed nature, then simply storing th=
em=20
      safely is a reasonable goal for a day care center. On the other hand=
, if=20
      children are seen as being malleable objects - as having their minds=
=20
      crucially shaped in a permanent way by their earliest experiences - =
then=20
      the requirements for day care are much more than mere storage" (see =
Bales,=20
      ed., Effective Language for Discussing Early Childhood Education and=
=20
      Policy, Benton Foundation with the Human Services Policy Center,=20
      University of Washington, fall 1998).
      <P>Applied to bridging, this means the effective spokesperson always=
 is=20
      ready with a powerful metaphor that can redirect reasoning.
      <P><I>Reporter: "Isn't this emphasis on education for two- and three=
-year=20
      olds misplaced? Are we going to put up flash cards in their cribs? H=
ow can=20
      an infant benefit from Beethoven?"</I>
      <P><I>Spokesperson: "There's an old saying that many parents know, '=
As the=20
      twig is bent, so grows the tree.' We've always known instinctively t=
hat=20
      the early years were important - that's why we teach kids nursery rh=
ymes.=20
      We just didn't know exactly how they helped shape our children's min=
ds.=20
      Now we know that the whole foundation for learning is set in those e=
arly=20
      years. They learn right from wrong very early, they learn the social=
=20
      relationships that will determine how they get along as citizens and=
 as=20
      workers. The moral and social foundations of the child are the moral=
 and=20
      social foundations of the society as a whole." </I>
      <P>Notice how the spokesperson did not waste time addressing the red=
=20
      herrings directly. S/he offered substitute metaphors that redirected=
=20
      attention to familiar, positive images: a cultivation metaphor, a br=
ain=20
      science frame, a cornerstone of society model, and an investment in =
the=20
      future message.=20
      <P><B>RULE #5: CONTEXTUALIZE</B><BR>If they give you a portrait, bri=
dge to=20
      a landscape. If they give you an episode, bridge to the theme of the=
 whole=20
      series.
      <P>Framing research shows that a human interest story alone, especia=
lly=20
      the more vivid and detailed it is, will not lead people to conclude =
that a=20
      policy solution is required for an entire population. More than like=
ly,=20
      the case study or example will be interpreted as tragic or regrettab=
le and=20
      worthy of pity or charity but without extension; and often, the case=
 is=20
      simply an exception, or the exception that proves the rule (the good=
=20
      parent who finds safe, affordable daycare and thereby demonstrates t=
hat=20
      more parents could do so if they tried harder). So the effective bri=
dger=20
      connects the isolate case to trend data, to social situations that c=
aused=20
      the problem, and to the policy solutions that are required.
      <P><I>Reporter: "Last week this station ran a horrific story about a=
=20
      toddler trapped in a closet for more than three hours while no one a=
t this=20
      daycare center noticed. How can parents tell if a daycare center is =
safe=20
      for their child?"</I>
      <P><I>Spokesperson: "Until we fix the early education system by maki=
ng=20
      sure that all environments for children are stimulating, well superv=
ised,=20
      with skilled trained professionals, there will be a lot more horror=
=20
      stories. And a lot more stories that never get told of children who =
are=20
      not challenged, and who are not learning to learn. Both are tragedie=
s, and=20
      wasteful of our most precious resources, our future. A good daycare =
center=20
      is one where the teachers have been well trained in early child=20
      development, where the ratio of educators to children is no more tha=
n X to=20
      Y, where the environment is both safe and nurturing, where moms and =
dads=20
      are welcome, and families can afford to bring their children."</I>
      <P>Bridging is an art, but one that needs to be informed with the so=
cial=20
      science of framing. To do it well: practice, practice, practice.
      <P><I>For further reading on bridging:</I><BR>Wallack, Lawrence, Kat=
ie=20
      Woodruff, Lori Dorfman and Irene Diaz, <I>Using Pivot Phrases</I> in=
 News=20
      for A Change: An Advocate's Guide to Working With the Media, Thousan=
d=20
      Oaks, CA: Sage Publications, 1999.
      <P><I>For further communications research on early childhood=20
education:</I>
      <P>Bales, Susan Nall, <I>Communicating Early Childhood Education: Us=
ing=20
      Strategic Frame Analysis to Shape the Dialogue</I> in Bulletin of Ze=
ro to=20
      Three, National Center for Infants, Toddlers, and Families, June/Jul=
y=20
      1999, Volume 19, No. 6, available online from <A=20
      href=3D"http://www.zerotothree.org/">http://www.zerotothree.org/</A>.
      <P>Bales, Susan Nall, ed. Effective Language for Discussing Early=20
      Childhood Education and Policy, Benton Foundation with the Human Ser=
vices=20
      Policy Center, University of Washington, Fall 1998, downloadable onl=
ine=20
      from <A href=3D"http://www.benton.org/Library">www.benton.org/Librar=
y</A>.
      <P>Bales, Susan Nall, ed. Effective Language for Communicating Child=
ren's=20
      Issues, Coalition for America's Children with the Benton Foundation,=
 May=20
      1999, downloadable soon online at <A=20
      href=3D"http://www.usakids.org/">http://www.usakids.org/</A>.
      <P>Klein, Ethel. Funding Early Care and Education: An Assessment of =
Public=20
      Support, Ewing Marion Kauffman Foundation, March 1999.
      <P><!-- Page Content Ends Here -->
      <P>
      <P>
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	FONT-SIZE: 10pt; FONT-FAMILY: Verdana, Arial, Helvetica
}
P {
	FONT-SIZE: 10pt; FONT-FAMILY: Verdana, Arial, Helvetica
}
TD {
	FONT-SIZE: 10pt; FONT-FAMILY: Verdana, Arial, Helvetica
}
H3 {
	FONT-WEIGHT: bold; FONT-SIZE: 14pt; COLOR: #ccbb33; FONT-FAMILY: =
Verdana, Arial, Helvetica
}
H4 {
	FONT-WEIGHT: bold; FONT-SIZE: 12pt; COLOR: #ccbb33; FONT-FAMILY: =
Verdana, Arial, Helvetica
}
H6 {
	FONT-WEIGHT: normal; FONT-SIZE: 8pt; FONT-FAMILY: Verdana, Arial, =
Helvetica
}
A:link {
	COLOR: #344316
}
A:visited {
	COLOR: #999999
}
A:active {
	COLOR: #6c7c43
}

------=_NextPart_000_003B_01C39C8E.0BA3F750--

